Monday, September 13, 2010

Old Scotch Church

My plein air watercolor day this week was spent at the Old Scotch Church in Hillsboro. 



The church has an historic cemetery attached and we found grave stones over 125 years old.   The church is to the right of the cemetery.



The day was gray and overcast without shadows or much contrast so I'm still working on my painting as, right now,  it looks just like the day did.   I did have a helper, though -


She hung around my little area most of the day.  I tossed her a grape which she immediately tore open and rolled around in the dirt before she ate it.  I guess there's nothing like a little mud sauce to make a grape taste more bug-like. 

Saturday, September 11, 2010

M Graham paint factory tour

Most of us have just a few brands of paint we have on our palettes.  M Graham is the brand I use most and I'm very lucky to have the factory near me.  I was always a big proponent of field trips when I taught so I emailed Diana, the M in M Graham, to ask if it was possible to arrange a tour for the watercolor group I'm in and on Thursday this week we were able to tour the factory.    

They make four (yes, four!) types of paint in what to me is a very small space.  They produce watercolor, gouache, oils, and acrylics.  I've never used their acrylics, mostly because I'm not an acrylic painter, but I use their other three products and love them.  They have a very creamy feel and lots of pigment.   They never disappoint me.

First, we were introduced to Annie, the company cat, formerly Orphan Annie but now the Queen.  She gave each of us a chance to say hello.



Art Graham met us and asked if we had any questions.  Of course we did!  He was welcoming, very pleasant, completely knowledgeable, and very patient.  He also has the best handshake ever.  I asked how he got into paint manufacturing and it was a really interesting answer.  Then I asked if I could take a picture to post here so he posed.


I snuck in another while he was talking -


After he told us a bit about paint manufacturing, we had a tour of the plant

A bag of ultramarine blue pigment ready to be made into paint

They were making Ivory Black oil paint the day we were there.  This is the three-roller machine.

Another view - the paint is first mixed, then goes in what looks like the top of the machine,  goes around all the rollers under a specific pressure, then comes out the bottom. It sits to cure (the best way I can describe it) then goes to these ladies -

Filling paint tubes

Another view.  There's a third lady above the funnel-shape pushing the paint with a large spatula.  This helps to ensure even filling with no air pockets.

I didn't take photos of the lady or machine that attaches the labels or the warehouse - mostly filled cardboard boxes.  You can imagine those.  The company uses local ingredients whenever possible and the most local they can get when not.  The honey they use is from the next town.  They told us where just about everything comes from, even the labels, and I was really impressed with just how local they really are.  They don't produce a solvent but use their walnut oil to clean brushes, etc, with.  

All of us that were privileged to go on this tour send a really big thank you to M Graham Paints for taking their time with us and making us feel so welcome.

Wednesday, September 8, 2010

Sellwood Community Park

View of the Willamette River looking toward Portland ---

oil on canvas panel 8x10

Last Thursday, I met two others from the oil workshop at Sellwood Park by the railing overlooking the river.  Sellwood Bridge is to my left.  An older gentleman with a slight British accent sat on the bench near me and asked me how long I could stand there.  (I told him not past dark.)  And he asked if I ever paint with my other hand.  He plays flute, Hayden mostly because it's easy, he said.

Friday, September 3, 2010

Anne Amie Vineyard

Today, I painted two pictures at Anne Amie Vineyards in Carlton OR, from a hillside looking down into the valley and out towards the coast range. 

 watercolor on Arches 140 lb cold press


 
watercolor on Yupo
There certainly is a difference in the two surfaces.  I'm used to being able to go back and glaze but haven't figured out how to do that on Yupo without wiping the first layer of paint off. 

Thursday, September 2, 2010

St Peter's Dome

St Peter's Dome is on the very far left


I was back in the Columbia River Gorge last Friday (Aug 27) with my watercolor group painting St Peter's Dome.  I moved just a bit after lunch so I could stay in the shade to paint and got a view just a bit different.  I-84, exit 35.

Thursday, August 26, 2010

Pacific NW Plein Air

I drove to Hood River this morning to see some of the painting going on during today's paint-out.  The  location was the Columbia Gorge White House in Hood River, a place I'd painted en plein air last April.  At that time, the pear trees were covered with beautiful pink blossoms - and today, they were covered with pears.  (Harvest started yesterday so of course I bought a small box to share with family.)  This is the first day of a five day paint-out but today is my only free day.  Because of that, I didn't join but did take lots of photographs to use as subject matter in the winter.

Several painters lined up to paint


The scene I painted in April, minus the pear crates and painters


Part of the cut flower garden


Another view


The house

Monday, August 23, 2010

Thomas Kitts Workshop

Last week, I had the pleasure of participating in a week long plein air oil workshop led by Thomas Kitts.  It was, in a word, wonderful!  I normally work in watercolor and this was the first time I'd even opened a tube of oil paint - he was quite patient with me.  Honestly, I'd suggest smudging some paint around first but we made it work.  I've been plein air painting for a few months and love it.    

I'll post some of my paintings later but this is a very useful tip we got from one of the participants, Nicole (no blog), for drying our paintings ---


It's an old dish rack!  Cool, huh?


On Wednesday, we had a tour of the Gamblin paint factory in Portland.  

Scott and Jamie of Gamblin and Thomas Kitts

Thomas taught us so much, not just about oils or plein air painting, but about painting in general.  I've wanted to learn to work in oils for quite a while and feel I have a really good start now.